LE MEILLEUR CôTé DE 18-21ANS

"[83] In his negative review, Justin Chang from the Los Angeles Times stated that the cinématographe "isn't really embout Marilyn Monroe. It's embout making her suffer."[84] He also opined that the film "turns Marilyn Monroe into an avatar of suffering, dwelling nous her Flûte so obsessively that even the film's fleeting moments of empathy feel l